2023 MPCA Production of the Year
L’État de siège 2022 /L'amour de vivre(WFH)
A comet strikes and destroys people's old routines.
A man, who calls himself "The Plague" and carries a secretary named "Death", suddenly appears in a modern city and builds a totalitarian, de-emotionalized new order. How will the people face their own existence in this new state of affairs? How will the people choose between individual freedom and collective order, obedience or resistance?
A man, who calls himself "The Plague" and carries a secretary named "Death", suddenly appears in a modern city and builds a totalitarian, de-emotionalized new order. How will the people face their own existence in this new state of affairs? How will the people choose between individual freedom and collective order, obedience or resistance?
2020 MPCA Production of the Year
Terayama Shūji visit /Maniac Education
The play represents a microcosm of society with one family, hiding the human world's fear and exclusion of "madness" and "otherness" behind a seemingly innocent, but in fact quite cruel, fake fairy tale.
In this "family fable", the role of the mother is unexpectedly absent. As a result, we developed a separate introductory scene, based on Terayama Shuji's complicated relationship with his mother and his mysterious life, and played the "post-setting of the post-setting", breaking the flatness of the original, which is not sufficiently debatable, and allowing the imagination to become more three-dimensional and add more layers of discernment.
In this "family fable", the role of the mother is unexpectedly absent. As a result, we developed a separate introductory scene, based on Terayama Shuji's complicated relationship with his mother and his mysterious life, and played the "post-setting of the post-setting", breaking the flatness of the original, which is not sufficiently debatable, and allowing the imagination to become more three-dimensional and add more layers of discernment.
2019 MPCA Production of the Year
Brecht - Der gute Mensch von Sezuan
In the poverty-stricken land of Sezuan, only the prostitute Shen Te passes the test of the fairies.
It proves that there are good people in troubled times.
But Shen Te's philanthropy has gotten herself into trouble.
It makes her hesitate and oscillate between good and evil, between self-preservation and tolerance.
All forms of art exist to serve the greatest art, the "Art of Living". On and off the stage, in front of and behind the scenes, I sincerely hope that you can find your own balance in this world, which is both an ideal country and a cuckoo's nest, and hold the rope tightly to pursue the good ideas.
It proves that there are good people in troubled times.
But Shen Te's philanthropy has gotten herself into trouble.
It makes her hesitate and oscillate between good and evil, between self-preservation and tolerance.
All forms of art exist to serve the greatest art, the "Art of Living". On and off the stage, in front of and behind the scenes, I sincerely hope that you can find your own balance in this world, which is both an ideal country and a cuckoo's nest, and hold the rope tightly to pursue the good ideas.
